Music is mystery
It’s a series of easy sounds, created by means of methods maximum prosaic. Horsehair drawn across strings. Air pushed through a labyrinth of brass. The thump of a stick on a tight stretch of plastic. But arranged simply so, and those simple sounds could make us smile. Dance. Cry. The notes can bring our souls upward. They can pull our dreams downward. They pick out us up as wind does a kite, and in its melodious air we twist and turn and fly.
Challenges and Opportunities
Leonard Bernstein has been over excited by using music, and he incorporates it in turn. From the time he stepped onto Carnegie Hall’s conductor’s platform at age 25, he’s been America’s great-acknowledged classical musician. Pianist, conductor and composer, his have an effect on has been felt from Wagner to West Side Story.
Throughout a great deal of his radiant career, Leonard was followed via his radiant wife, actress Felicia Montealegre.
They met at a party, and that they swirled away into a shimmering romance. They would stand on stage, studying traces. They could visit parks and take a seat inside the grass. They shared secrets and techniques, aims, kisses, a bed. And in 1951, they wed and started sharing a final call too. you can also check our latest Blogs.
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“I recognize exactly who you’re,” Felicia told him as they pondered marriage. “Let’s supply it a whirl.” And she did know. She knew approximately Leonard’s enchantment to men. She became steeled for the seemingly unavoidable dalliances. But she knew that he cherished her—and she or he loved him. And as long as he become careful and discreet, all would be properly.
Perhaps there’s a motive why so much track is set love. Music and love both share that sense of inexplicable thriller. We can try to approach dating with reason and rationality. We can examine our companions with cool reserve; see our futures with crystal-reduce clarity.
But love defies such purpose. It sows it with delight and sorrow. Love twists cause with sudden joys, unaccountable urges, inexplicable jealousies, undying reminiscences. It contains us up, down, away, asunder. And it is able to dash no longer just us in opposition to the rocks, but throw our partners towards them too. Felicia knew who Leonard changed into. But she couldn’t know what, over the decades, that could imply—for him, for her, for them. And perhaps, for the music itself.
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